An exploration of structural violence, infinite content, and their effects on processing reality. A move towards radical acceptance against daily crushing absurdity. Acknowledging horror and defying it through meaningful shared experience. Composed from material developed live from performances over 2018 and 2019.
Released via Collusion (North America) and Euphonic Recordings (Europe)
credits
released November 8, 2019
Recorded and mixed by James Beardmore in Toronto, 2018 and 2019. Mastered by Graham Galbraith-Nolan.
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